Editor
SUMMARY
I am an editor with a background of 5+ years in advertising, film making, and creating short films. I have hands-on knowledge of FCP, Premiere Pro, and Avid. My main duties have been editing, but I also have filmmaking experience as a director. I am qualified in editing videos for commercials, music clips, case studies, short films, and documentaries. Along with being hardworking and reliable, I have excellent communication skills and enjoy building rapport with colleagues and customers. I like working in teams and I am confident of working on my own.
WORK EXPERIENCE
Video Editor
Threaded Films
- Work on pre-production, production, and distribution of different cinematography projects.
- Manage the entire process of creating videos from production to postproduction with the organization of the small team.
- Manage video projects from conception to final edit and the proper color correction.
- Undertake value-added creative responsibilities, as per program requirements.
- Perform digital video editing workflow from beginning to finished product, i.e. ingested raw footage into non-linear editing software.
- Responsible for all gear management and frequently in charge of editing workflow between the shooter, producer, and editor.
- Responsible for filming and editing weekly shows that are uploaded to the company's website.
Assistant Editor
Lionsgate Films
- Acted as an Assistant Producer and Editor on internal corporate video production projects.
- Acted as an Assistant Editor on multiple personal and professional videos (Hotel Wit, Navy Pier, Perkolator Coffee Shop, Sputnik Records and Books, etc).
- Worked as a Director of Photography (DOP) and Editor for short films “Traincasting” and “Breaks My Heart”.
- Worked as a Director of Photography (DOP) and Editor on small business commercial shoots.
- Acted as an Assistant Producer and Editor on internal corporate video production projects.
- Was in-charge of cutting, trimming, mixing, color correcting, and organizing clips for professional clients and independent filmmakers.
- Was responsible for properly transferring, transcoding, ingesting, editing, encoding final product for multiple types of outputs using Adobe Media Encoder.
- Was responsible for all gear management, and frequently in charge of editing workflow between the shooter, producer, and editor.
Videographer/Editor Intern
Dish Network Corp
- Acted as a Video editor of programs, news, promotional material, and commercials for the channel.
- Created commercials for big clients such as The Illinois Nature Conservatory, Joffrey Ballet, Chirp Radio, and Chicago Craft Beer Week.
- Handled cameras such as Sony FS700, Canon C100, Panasonic GH4, Black Magic Cinema Camera, Black Magic Ursa 4.6k.
- Edited footage to a digestible size while keeping the story and the goal of the video interesting and unique, using Premiere Pro and Davinci Resolve.
- Was responsible for capturing memorable moments in a cinematic style.
- Equipped with all necessary filming, sound, and light equipment, capable of acting like a one-man team to fulfill the strict creative needs of the client.
- Created style, themes, objectives, and flow of each of the shows, paying particular attention to the target audience.
EDUCATION
BFA - Film and Television/Editing
DePaul University
CERTIFICATIONS
- Cannon OS-Pro Operator
- Adobe Premiere Pro
- REDucation - RED camera
SKILLS
Audio & Sound
- Sound Grip
- Sound Design
- Multitrack Recorder
Final Cut Pro
- Mix
- Color grade
- Edit
- Animate
Motion Graphics & 2D Animation
- Mocha
- Starglow
- Trapcode Mir and Form
Camera Operator
- Sony Cameras
- RED Certified
- Canon OS Certified
- EFP camera operation
Adobe Premiere Pro
- PluralEyes
- Magic Bullet
- Color Correction
- Audio/Sound Mixing
- Edit with integrated add on Knoll Light Factory
CORE QUALIFICATIONS
- Expert in lighting, and knowledgeable in the use of most types of light kits.
- Proficient with interview-style filming for commercial or documentary-style videos.
- Onset experience for both commercials and feature film environments.
- Strong expertise in linear and non-linear editing, excellent skills in transferring, transcoding, ingesting, and properly organizing all raw data.
- Highly proficient with Adobe Premiere Pro, Adobe Prelude, and Adobe After Effects.
- Excellent skills in visualizing production script.
- Very proficient with the color correcting process within Adobe Premiere Pro.
- Understands the nature of lighting a scene, blocking, and rig setup, and teardown.